Bolivia

Yvy Maraey: Land without Evil

Yvy Maraey: Tierra sin mal

Using as a starting point a 1911 ethnographic film by Swedish explorer Erland Nordenskiöld, a Bolivian filmmaker and a Guaraní guide travel together through the forests of southeastern Bolivia with the intention of making a film about the Guaraní people. Each man creates and interprets his own character, walking the thin line between documentary, fiction and performance. The journey not only takes them to the interior of the country but to their own inner selves, as they seek to define their identities within a country undergoing enormous social, political and historical change.

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Yvy Maraey: Land Without Evil

Yvy Maraey: Tierra sin mal

Using as a starting point a 1911 ethnographic film by Swedish explorer Erland Nordenskiöld, a Bolivian filmmaker and a Guaraní guide travel together through the forests of southeastern Bolivia with the intention of making a film about the Guaraní people. Each man creates and interprets his own character, walking the thin line between documentary, fiction and performance. The journey not only takes them to the interior of the country but to their own inner selves, as they seek to define their identities within a country undergoing enormous social, political and historical change.

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Pacha

Tito, a young boy, lives on the streets of La Paz, Bolivia, but when his shoeshine box is stolen, he is left with no means of survival. Collapsed on a bench, a vision of another reality comes to him, where a mysterious woman leads him along ancient Inca paths and teaches him the ways of the ancestors. Meanwhile, the city itself explodes in a social uprising, as the indigenous population make a stand for their rights and the police answer with tear gas and bullets. Tito’s personal struggle for peace becomes a profound reflection of the need for a greater social awakening.

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Pacha

Tito, a young boy, lives on the streets of La Paz, Bolivia, but when his shoeshine box is stolen, he is left with no means of survival. Collapsed on a bench, a vision of another reality comes to him, where a mysterious woman leads him along ancient Inca paths and teaches him the ways of the ancestors. Meanwhile, the city itself explodes in a social uprising, as the indigenous population make a stand for their rights and the police answer with tear gas and bullets. Tito’s personal struggle for peace becomes a profound reflection of the need for a greater social awakening.

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Festival year: 
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