José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top...
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Described by writer-director Pablo Fendrik as a “Mesopotamian Western,” El Ardor stars Gael García Bernal as Kaí, a mysterious shaman who emerges from the Río Paraná to defend a clan of tobacco farmers against a band of cold-blooded land-grabbers. But this is no ordinary Western. Filmed on the edge of the Amazon rainforest, near the border of Brazil and Argentina, the lush, claustrophobic jungle with its birds, insects and prowling animals becomes as much a part of the story as the misfortunes of its characters.
Gonzalez is a lost soul in one of the world's biggest cities, Mexico City. Desperate to be someone in life---and to pay off his debts---he embarks on a journey into the increasingly magnetic world of Evangelical Christianity. Religion seems to offer a quick path to becoming rich and soon Gonzalez is willing to do anything in his power in order to make it happen.
Ivana Cornejo is just getting used to being single again after her divorce three years ago. After an exasperating call from her ex-husband, she throws her cell phone away. Fortunately, the man who finds it calls her to return it, and to her amusement they have an instant rapport. The man on the other end of the phone is León Godoy, a renowned architect with a charming voice and a charismatic personality. They schedule a date so that he can return the cell phone. When León arrives, Ivana is surprised: he is everything she had imagined, except for one unexpected and startling detail...
Based on the semi-autobiographical novel of Peruvian journalist and talk-show host, Jaime Bayly, the film adaptation of Don’t Tell Anyone is a classic '90s rollicking drama of forbidden love, reckless living and the search for identity. Featuring a great soundtrack by Fito Paez and Los Zopilotes.
Little is known of the childhood and youth of the great 19th-century Cuban liberator, José Martí. This robust biopic imagines his early years. The son of a magistrate, the precocious Martí — “Pepe” to family and friends — takes an early interest in justice. Gradually he enters the nascent independence movement and, not yet 18, is arrested for sedition. Respectful, yet not worshipful, this is a portrait of the revolutionary as a young man, and a stirring historical drama besides.
Alejandro Jodorowsky’s first movie in 23 years is a full-throttle return to form for the mad maestro of El Topo and The Holy Mountain, now an octogenarian. A semi-autobiographical, semi-fantasized coming-of-age tale reminiscent of Fellini’s Amarcord, the film is set in 1930s Chile, where a little boy named Alejandro grows up, unhappily, under a stern, domineering father and a statuesque, operatically-emotive mother. The Dance of Reality may be Jodorowsky’s most coherent, grounded, and personal film ever.
Due to popular demand we are pleased to present a special repeat screening of our Opening Night film, Lion's Heart (Corazón de León), which screened to two sold-out houses during VLAFF 2014.
Celebrating the literary legacy and love of cinema of Colombian writer Gabriel García Márquez, the Consulate General of Colombia in Vancouver and the Vancouver Latin American Film Festival are proud to present No One Writes to the Colonel, a film which many consider to be the finest cinematic adaptation of a García Márquez novel.