Perú

September 12 | Goldcorp Centre for the Arts, SFU Woodward's
Free Admission (with $2 VLAFF Membership).

Admission is on a first-come, first-seated basis. Doors open approximately 30 minutes prior to the screening.

A Peruvian forensic team, tasked with exhuming the remains of a group of people who were made to “disappear” some 25 years earlier, finds an unexpected additional John Doe [NN (Non Nomine)], the only clue being a small photograph of a woman found on his person. Fidel undertakes the long, complicated work of identifying the body, and must navigate the still-raw emotions of the families of the disappeared. Director Héctor Gálvez takes a nuanced, heartfelt look at the raw humanity behind a country’s efforts to come to terms with a dark chapter in its history.

Based on the semi-autobiographical novel of Peruvian journalist and talk-show host, Jaime Bayly, the film adaptation of Don’t Tell Anyone is a classic '90s rollicking drama of forbidden love, reckless living and the search for identity. Featuring a great soundtrack by Fito Paez and Los Zopilotes.

Junior is nine years old and has stubbornly curly hair. He wants to have it straightened for his yearbook picture, like a fashionable pop singer with long, ironed hair. This puts him at odds with his mother Marta, a young, unemployed widow. Already overwhelmed by what it takes to survive in the chaotic city of Caracas, Marta finds it increasingly difficult to tolerate Junior’s fixation with his looks. The more Junior tries to look sharp and make his mother love him, the more she rejects him, until he is cornered, face to face with a painful decision.

Icaros explores the spiritual universe of the Shipibo, an Indigenous people who live by the Ucayali river, one of the main tributaries of the Peruvian Amazon. Mokan Rono, a young Shipibo man, sets out on a journey to discover the ancestral knowledge of ayahuasca, a hallucinogenic tonic made from plants that is known for its cathartic and life-changing powers. He is mentored by an elder shaman who instructs him how to prepare for the experience, and his mother, a master healer.

Junior is nine years old and has stubbornly curly hair. He wants to have it straightened for his yearbook picture, like a fashionable pop singer with long, ironed hair. This puts him at odds with his mother Marta, a young, unemployed widow. Already overwhelmed by what it takes to survive in the chaotic city of Caracas, Marta finds it increasingly difficult to tolerate Junior’s fixation with his looks. The more Junior tries to look sharp and make his mother love him, the more she rejects him, until he is cornered, face to face with a painful decision.