From Tuesday to Tuesday

Juan’s passion is bodybuilding, but he earns his living working in a garment factory where he is constantly bullied by his boss and co-workers for his muscular physique. He keeps to himself and quietly dreams of quitting to set up his own gym. But first, he needs to come up with the money. One night, Juan witnesses a crime. Stunned and confused, he must contemplate what to do with the information now in his possession. The unfolding of this moral dilemma will make audiences clutch their seats in exasperation and expectation, and vigorously debate at what moment the possibility of doing the right thing is lost.

It is especially worthwhile for its intensity. From the first to the last second, Gustavo Triviño drives the spectator where he wants. A masterstroke. Nicolas Rauline, Barrio Latino

Juan tiene como hobby el fisicoculturismo y trabaja en una fábrica donde a pesar de su musculoso físico, es maltratado por sus jefes y compañeros. Su mayor sueño es poder dejar la fábrica y ser dueño de su propio gimnasio. Una noche Juan es testigo involuntario de una violación de una chica que él conoce, pero se queda perplejo sin hacer nada. Juan se tiene que plantear el dilema entre lo que es moralmente correcto y la posibilidad de obtener su sueño. La intensidad narrativa De Martes a Martes, no dejará que te levantes de la butaca ningún día.